
15:00 - 15:20 |
Opening Event
Official Welcome by:
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15:20 - 16:00 |
Keynote
“ Artistic Research in Society ” - keynote speech by Sandeep Bhagwati , Faculty of Fine Arts of the Concordia University in Montreal and board member of the German Society for Artistic Research
Q&A moderated by Wei-Ya Lin , EPARM working group member |
16:00 - 17:00 | Coffee Discussions |
17:00 - 19:00 | Evening Break |
19:00 - 19:30 |
L8 NITE Performance I
Fantasía quasi Sonata: an “in-version” of Beethoven's Op. 27 no. 2, Luca Chiantore , ESMUC - Escola Superior de Música de Catalunya), Barcelona, Spain |
19:30 - 20:00 |
L8 NITE Performances II
LEMUR: Collective Artistic Research within an Ensemble, Francis Michael Duch , NTNU - Norwegian University of Science and Technology, Trondheim, Norway |
20:00 - 20:30 | L8 NITE Performances III Love at first sound: engaging with Western classical concert audiences through improvisation, Paulina Haustein , Guildhall School of Music & Drama, London, UK |
20:30 - 21:00 | Break / Wine Chat |
21:00 - 21:30 |
L8 NITE Performances IV
Bach-Mugham , Gunel Mirzayeva , Guildhall School of Music & Drama, London, UK
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21:30 - 22:00 |
L8 NITE Performances V
“Droning Falsities (for one's self)”, a collaborative exploration into the use of voice and double bass clarinet , Jason Alder , Royal Northern College of Music, Manchester, United Kingdom
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22:00 - 22:30 |
L8 NITE Performances VI
Ensemble 1604 presents ... shadows that in darkness dwell…, Timothy Cooper , Royal Conservatoire of Scotland, Glasgow, United Kingdom
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9:15 - 9:45 | Early Breakfast Performance Ghost Trance Solo's: a solo interpretation of Anthony Braxton's Ghost Trance Music , Kobe Van Cauwenberghe, Royal Conservatoire, Antwerp, Belgium |
9:45 - 10:00 | Break |
10.00 - 10.30 | Parallel Sessions IA From sign to sound: survey on instrumental musical reading , Alberto Odone , Conservatory Giuseppe Verdi, Milano, Italy, Anna Maria Bordin , Conservatory Niccolò Paganini, Genova, Italy |
Parallel Sessions IB Collective creation in Music and Linked verse composition , Carla Rebora , Conservatory “A. Boito ”, Parma, Italy with Marco Pedrazzi , Rosita Piritore and Monica Rossetti |
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Parallel Sessions IC Rethinking the Gesamtkunstwerk: creating new dramaturgical codes , Lies Colman, Gaea Schoeters, Annelies Van Parys , Royal Conservatoire Antwerp, Belgium |
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10:30 - 11:00 | Break / Coffee Chat |
11:00 - 11:30 | Parallel Sessions II A Performing Precarity (PP) , Ellen Ugelvik , Norwegian Academy of Music, Oslo, Norway |
Parallel Sessions II B Exploring nineteenth-century tuba-composer relationships , Jack Adler-McKean , Royal Northern College of Music, Manchester, UK |
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Parallel Sessions II C Gendering the [piano] performing body , Helena Marinho, University of Aveiro, Aveiro, Portugal |
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11:30 - 12:00 | Break / Coffee Chat |
12:00 - 12:30 | Parallel Sessions III A The Pianist as a Duo Partner: Understanding the role of the pianist in the rehearsal process when working with singers and instrumentalists , Christine Zefara , Royal Academy of Music, London, United Kingdom |
Parallel Sessions III B FOLK SONG LAB - deconstruction, improvisation and flow , Susanne Rosenberg, Royal College of Music, Stockholm, Sweden |
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Parallel Sessions III C Owning the Choral Sound: Utilising Real Time Spectrographic Data to Improve Choral Blend , James Lee Slimings , Royal Conservatoire of Scotland, Glasgow, UK |
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12:30 - 13:00 | Break / Coffee Chat |
13:00 - 13:30 | Parallel Session IV A Artful Participation - Doing Artistic Research with Symphonic Music Audiences , Peter Peters , Maastricht University / MCICM, Maastricht, the Netherlands |
Parallel Sessions IV B 'We can do it too!' Small-group improvisation in classical music , Lindsey Fillingham , Guildhall School of Music and Drama, London, UK |
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Parallel Sessions IV C First steps into Creative (mis) understandings , Wei-Ya Lin and Johannes Kretz , University of Music and Performing Arts Vienna, Vienna, Austria |
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13:30 - 14:30 | Lunch Break |
14:30 - 15:30 | Round Table on the Role of Artistic Research in Society Moderated by Eirik Birkeland , AEC President, with:
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15:30 - 16:00 | AEC – Strengthening Music in Society (SMS) By the SMS’s working group on Music in Society |
16:00 – 16:30 | Break / Coffee Chat Rooms on the Vienna Declaration and Artistic Research in Society |
16:30 – 17:00 | Information Gallery Q&A with the speakers based on pre-recorded presentations RappLab AReMus Harma |
09.30 – 10.00 | Parallel Sessions V A Dimensions of experiencing empathy in a music ensemble using the example of a digital and interactive education project, Evelyn Buyken, Musikhochschule Köln, Germany |
Parallel Session V B “Method of Vienna” (“MoV”): a novel performative communication format, Susanne Abed-Navandi, Music and Arts University of the City of Vienna, Vienna, Austria |
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Parallel Session V C Stylistic Feature Mapping for Music Performance, Sven Ahlbeck, Royal College of Music, Stockholm, Sweden |
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10:00 – 10:30 | Break / Coffee chat |
10:30 – 11:00 | Parallel Session VI A The Topic of Piano Performance, Julian Hellaby, Coventry University, Coventry, UK |
Parallel Session VI B Incorporating an historically inspired modernistic approach to Brahms’ orchestral music into the curriculum of the Conservatory of Amsterdam, Johannes Leertouwer, Conservatory of Amsterdam, Amsterdam, Netherlands |
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11:00 – 11:30 | Break / Coffee chat |
11:30 – 12:00 | Parallel Session VII A Recomposition: a practical approach, Gabriele Ceccarelli,Saint Louis College of Music, Rome, Italy |
Parallel Sessions VII B A revision of Sigfrid Karg-Elert’s Op. 153 for saxophone solo; “The saxophone’s Cello Suites”, and a conversation with the composer, Raaf Hekkema, Royal Conservatoire, The Hague, Netherlands |
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12:00 – 12:30 | Break / Coffee chat |
12:30 – 13:00 | Closing Session News from the AEC by Stefan Gies, AEC Chief Executive
Announcement of EPARM 2022 Closing remarks by Stephen Broad, EPARM Chairman |
Category | For Registration and Payment made by 28th February |
For Registration and Payment made after 28th February |
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AEC member institution - up to 5 participants (staff and students - all participants need to register individually by the deadline but the institution makes only one payment per 5- participants package) |
130 euro | 170 euro |
non-AEC member institution up to 5 participants (staff and students - all participants need to register individually by the deadline but the institution makes only one payment per 5- participants package) |
430 euro | 470 euro |
Independent researcher (non- affiliated to an AEC member institution) |
50 euro | 70 euro |